Interactive Cinema & New Media Advanced Seminar – Fall 2024:
- Ana Marks– Catalog, collection of links to relevant websites. Curated and organized information for the exhibition site.
- Angela Kohout– Media Archaeology (Linda Dement collection), post-event summary
- Carter Jones – Design(Digital Event Flyer, Website Header), Exhibition In-person assistance
- Sophia Winkler– Exhibit pre-production (logistics and organizational support), Digital Event Flyer, post-production (gathering reports and uploading to the Interactive media archive)
- Kieren Wheeling– Promotional Trailer
- Loke Zhang-Fiskesjö– Media Archaeology (Frozen Palaces, Killerberlin.doc), Event Photography, Closing Report
- Ronan Solomon– Design (Catalog, Music Curation), Event Operations (Videography), Post Production (Video Editing)
- Sabrina Smith– Design(base image creation), event photographer
- Vincent Antista– Exhibition in-person assistant, additional media archaeology post
- Xulun Luo– Disk Emulation, Immemory Blog Post
- Yushu Wang– Additional Media Archeology Post (Immemory), Videographer, Editor
- Zhongwen Li– Base image creation, Header and Background image creation for exhibition website
- Ayisat Bisiriyu– Social media coverage, Catalog contribution
- On-site showcase event support: Nithya Balakrishnan, Gabriel Murray, Jenn Nyguyen, Patrick Hare, Deven Esselman (see more below)
Thank you to all the contributors for their hard work and enthusiasm for this experimental project. Special thanks to all the featured artists and cultural institutions who contributed their work. Thanks to Ina Cajulis, Ethan Gates, Dylan Lorenz, Greg Helmstetter, Ann Harris, and the NYU Martin Scorsese department of Cinema Studies and Moving Image Archiving & Preservation program for emulating the collection so that more people can access this invaluable anthology of early interactive digital works. Thanks to the Tokyo Photographic Art Museum for their support for reviving exonemo’s Danmatsu Mouse. Special thanks to all the featured artists and cultural institutions who contributed their work. Thanks also to former students of Prof. Marina Hassapopolou’s interactive media courses who contributed their media archaeology projects to the website.
Did we forget anyone? Let us know in the comments and we will update the credits.
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